Look now at the layer mask because you can see on the layer mask where I have now masked this effect. What you’ll see is the removal of the brightening effect.Īs I do this, I’m just going to stop at this point and pause for a moment. What will happen is you won’t see black pain. Then, what I do is to start to paint over the layer mask area. I’m going to start with a pretty big brush actually. So, first of all, let me make black my foreground color and let me choose a brush. Now, what I’m going to do on this occasion is to brush over the areas that I want to mask. I could adjust the settings, but it’s the layer mask that I want to work on. If for instance, I double clicked on that, that would bring up the Brightness/Contrast dialog again. Now, I can actually work on the adjustment itself rather than the layer mask. If I click back on the icon for the brightness/contrast adjustment the double blue outline goes back to that. It indicates that it’s the layer mask that is currently selected. The other thing I want you to look at very carefully in this tile is that the righthand thumbnail has a double blue border around it. You can do it in any shade of gray and that will allow you to vary the level of masking. I’m going to do that in black on this occasion. What I need to do in order to mask this adjustment is to paint over the areas that I want to mask in the layers mask. The adjustment that I’m applying is applying to the whole image. The fact that it’s completely white tells you that there is nothing being masked at the moment. The right one, is the layer mask thumbnail.īy default, when you create fill and adjustment layers you automatically get a layer mask as well. One of them, the left hand thumbnail indicates what sort of layer it is and this tells me that it’s a brightness/contrast layer. If you look at the Layers panel tile, you’ll see there are actually two thumbnails in it. Now, you’ll notice there that not only are the flowers made brighter but the background is as well. Let me switch off again, invisible, visible, etcetera. One way of seeing how big that effect is, is to make the layer in the Layers panel visible and invisible. I’m going to stick with 18 for the moment. I’ve gone up to 18, but I’m sure you can see the effect. Now, I’ve probably slightly overdone it there. I’m just going to slide it along a little bit at a time. What I want you to do is to look at the whole image very carefully as I increase the brightness. That brings up a little dialog there where I can adjust the brightness and contrast. In this case, the type of adjustment layer that I’m going to use is a brightness contrast layer. So, first of all, let me make my normal background copy and then what I’m going to do is to insert an adjustment layer. So, the job is to brighten but only the flowers, the petals, etcetera themselves. I don’t want to do is to brighten the background. This particular picture I like but I want to brighten up the flowers themselves. Now, I have some pictures of orchids in my kitchen. As the name implies this masks the effect of a layer. Do this by creating and then editing what’s called a Layer Mask. The way that you do this is by masking the areas that you don’t want to apply the adjustment or effect to. One of the great advantages of using layers is that not only can you easily switch on or switch off the application of an adjustment for example, but you can be very specific about which parts of an image to apply that to. Let me, first of all, explain what a layer mask is and what we use it for, then I’ll show you how to select a layer mask so that you can work on it, and I’ll show you a couple of options for editing layer masks. For example, but you can be very specific about which parts of an image to apply that to. One of the great advantages of using layers is that not only can you easily switch on or switch off the application of an adjustment. I’ve mentioned quite a few times already, when you use layers, particularly for some kind of effect or adjustment, you’re not restricted to applying that effect or adjustment to a whole image. Well, we’re going to be using adjustment layers quite a bit in the course from now on. You may have wondered what happened to adjustment layers. We looked at fill layers in the preceding section. As part of that, we’, re also going to look at a specific adjustment layer. In this section, we’re going to look at Layer Masks.
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